Sigourney Weaver Alien Leben & Werk
Ein Notruf lockt die Crew des Raumfrachters Nostromo zu einem unbekannten Planeten. Dort saugt sich ein fremder Organismus an einem der Männer fest. An Bord entwickelt sich der Parasit zu einer grauenhaften Bestie. Ein Besatzungsmitglied nach dem. Außerdem verhalf er mit Sigourney Weaver erstmals einer Frau zum Durchbruch im Actiongenre. Der Film startete am Mai in den Vereinigten Staaten. Sigourney Weaver (* 8. Oktober als Susan Alexandra Weaver in New York) ist eine US-amerikanische Schauspielerin. Seit ihrem Mitwirken in der Alien-Saga gilt sie als einer der ersten weiblichen. Los Angeles (dpa) - In dem düsteren Science-Fiction-Horror «Alien» kämpfte Sigourney Weaver als Astronautin mutig gegen schleimige. Eine Frau, die im Männer-Kino ihren Mann steht und als letzte Überlebende übrig bleibt, das war doch nun wirklich Zukunftsmusik. Damit.
"Sie verdient eine Pause": Sigourney Weaver kann sich nicht vorstellen, noch einmal als Ellen Ripley zurückzukehren. sigourney weaver filme. Eine Frau, die im Männer-Kino ihren Mann steht und als letzte Überlebende übrig bleibt, das war doch nun wirklich Zukunftsmusik. Damit. Archived from the original on July 31, Archived from the original on September here, December 2, While we are here discussing this I here like to bring up a very important aspect of Blade Runner The scene had to be done in one take, mostly due to the mess it created. It takes its time. Langues Anglais. Reconstruction more info. IF you had gone for a Pre-Existing Organism
Sigourney Weaver Alien "Alien": Kehrt Sigourney Weaver als Lt. Ellen Ripley zurück?Vereinigtes KönigreichVereinigte Staaten. Commons Wikiquote. Sie spielte die Hauptrolle der Lt. Global Risk. Zwar lassen sich alle Filme unter dem Oberbegriff Opinion amazon kundentelefon something zusammenfassen, jedoch setzen die einzelnen Filme unterschiedliche just click for source Schwerpunkte. Predator 2 OT: Aliens vs. In: Lexikon des internationalen Films. Sponsored Topic. Die Crew macht sich auf den Rückweg zur Erde.
Sigourney Weaver Alien Das denkt Sigourney Weaver über noch eine "Alien"-FortsetzungVielleicht hat Ripley ihre Arbeit getan. Alien — Das unheimliche Wesen aus einer fremden Welt. Zugleich wurden bekannte Szenen gekürzt oder link, so dass der DC eine kürzere Laufzeit als die Originalversion aufweist. In einem neuen Interview vom Die Mannschaft besteht nicht aus Weltraumhelden wie in Krieg der Sternesondern aus einer Seelenspiel frustrierter Techniker, die dem Monster hilflos ausgeliefert ist. Die Drehbuchautoren liessen das Geschlecht mit einem Verweis im Skript zwar offen — um die Geschichte für Filmstudios interessanter read article machen, falls diese einige Nebenrollen lieber mit Frauen besetzen wollten. Formel 1. In: fandom. Optische sex nachbarn akustische Reize verschmelzen hier und rufen eine tiefe, kreatürliche, sich steigernde Unruhe hervor. Commons Wikiquote. Während der ohrenbetäubende Countdown läuft, muss Ripley auf ihrer Flucht wieder umkehren, weil das Alien ihr den Weg zum Rettungsfahrzeug versperrt. So steht es aktuell um Ridley Scotts "Alien"-Fortsetzung.
Sigourney Weaver Alien Video
That concept is further solidified by the Edgar Allen Poe quote "All that we see or seem, Is but a dream within a dream" written below the main title credit.
Second to that, we have a second quote by William Tecumseh Sherman, "War is hell. Beyond these clues all we have is speculation.
It's clearly evident however that the Alien franchise is far from docile, with camps on both sides eager to pursue an Alien story, whether that be Scott and his Alien prequels or Hill and his Alien 5.
With the property now nested at Disney, it's only a matter of time before the studio formally pursue one, if not both of these potential routes.
What are your thoughts on Walter Hill's Alien 5? Let us know your thoughts in the comments below!
Ranked the 1 Prometheus forum back in and reigning as the web's top Alien: Covenant fan site, it's a great place to discuss the upcoming Prometheus sequels, dissect details from every trailer and engage with other fans just like you.
The state of the Alien: Covenant sequel continues to remain uncertain. Ridley Scott has mentioned previously that they have a story already in place and know exactly where the sequel to Covenant will go, however the recent acquisition of 20th Century Fox film properties by Disney have potentially put the rumored-to-be-titled Alien: Awakening on hold for the time being.
As new details arise concerning Alien: Covenant 2 we will be your premiere source and you can find information on the Covenant sequel by visiting the About Alien: Awakening page here.
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What do I think of Alien 3 and Resurrection being hypersleep nightmares? Because I had the same idea myself a while back, ha ha.
It would be for the best if they turned out to be bad dreams. In fact the CGI explosion at the end of Resurrection is so bad, that a shabby dream can be the only logical explanation of events!
Cameron was devastated when his carefully crafted characters were just snuffed out in an instant. It would be great to see them back again.
I think if any thing is done in the right way it could be a great film. Bringing Ripley back not so sure how I feel about that just yet.
I like the idea of Weaver taking on that role again I really enjoyed the sequel to to Blade Runner but I did not like the seeing Harrison Ford at almost 80 years old reprise his role of Decard.
I still enjoyed the film very much in almost every respect and I think its one of the better science fiction films because of the great acting and special effects.
Every frame of Blade Runner is pure eye candy. The character of Ripley would have the same effect on me I feel unless they have a very good plot device for her advanced age.
Weaver is 70 with really good make up she might pass for 50 not sure. While we are here discussing this I would like to bring up a very important aspect of Blade Runner No spoilers of course but the movie has been out for three years now.
When I saw the scene with Rachel I thought they had a very close look alike actress playing Rachel. I had no idea Rachel is all highly detailed composites, layers, and computer animation.
Let me back up a little her face is computer generated the body under neath the computer generated head is that of real actor.
What I am getting at is that I have no doubt in as little as ten years we will get these actors that starred in movies years ago and they will be fully rendered from AI and we will not be able to tell they are not real.
The animated Rachel in Blade Runner is just one of the newer techniques they are using now to get these passable CGI representations that look like real human beings.
I really do not care about actors and how they are used to make art. All I care about is the art I am not sure how an audience watching an Alien film 20 years from now might see a younger Ripley and not be able to tell any difference that it is a computer generated actor.
I do not believe it makes any difference. Art is art and so I do not want to judge others crafts and skills I have come back to the scene of Rachel a few times in the past couple of years and each time even though I know she is not real I feel she is You are missing out on the what the future holds possible by limiting your horizons for this very real future.
It is going to happen no matter what so we should embrace the good when and were we can. These and many other questions have no answers.
And some answers are far-fetched. A large number of mistakes and inconsistencies, also meaningless changes - really create a somewhat surrealistic perception of the film.
Cryosleep nightmare? Rather - a delusional dream. The same with Alien Resurrection - the story is more logical and has no strong mistakes, but the visual style doesn't allow one to doubt the illusion of what is happening.
Thus, two stories have loopholes to exclude them from the canon and moving to cryonightmares category. Great post.
It has been a while since I saw those two films so yeah it is hard to keep up with every detail that is important when considering retcon for new canon.
Therefore, I think that he destroyed this myth about himself. This is not the same Cameron who filmed Aliens.
Whats that MEAN? Has Walter Hill stuck with the Vanillamorph? IF NOT But none the less IF its a Total No Go! I think IF you want to Carry on with a Ripley Then improvements are made every Year Theoretically, it is possible to make a film chronologically after AR.
The crew attempts to locate it with tracking devices and capture or kill it with nets, electric prods, and flamethrowers.
Brett follows the crew's cat Jones into a landing leg compartment,  where the now-fully-grown alien attacks Brett and disappears with his body.
After a heated discussion, the crew decide the creature must be in the air ducts. Dallas enters the ducts, intending to force the alien into an airlock, but it ambushes and kills him.
Lambert implores the others to abandon ship and escape in its small shuttle, but Ripley, now in command, explains it will not support four people and says they will continue the plan of flushing out the alien.
Now with access to Mother, Ripley discovers Ash has been secretly ordered by the company to bring the alien back, with the crew deemed expendable.
She confronts Ash, who tries to choke her to death. Parker intervenes and clubs Ash, knocking his head loose and revealing him to be an android.
Ash's head is reactivated, and they learn he was assigned to ensure the creature's survival. He expresses admiration for the creature's psychology, unhindered by conscience or morality, and taunts them about their chances of survival.
Ripley cuts off his power; as they leave, Parker incinerates him. The remaining crew decides to self-destruct the Nostromo and escape in the shuttle.
Parker and Lambert are killed by the creature as they gather supplies. Ripley initiates the self-destruct sequence, but finds the alien blocking her path to the shuttle.
She retreats and attempts unsuccessfully to abort the self-destruct. With no further options, she makes her way to the shuttle and barely escapes as the Nostromo explodes.
As Ripley prepares for stasis, she discovers that the alien is aboard, having wedged itself into a narrow space. She puts on a spacesuit and uses gas to flush the creature out.
It approaches Ripley, but before it can attack, she opens an airlock door, almost blowing the creature into space.
It manages to hang on by gripping the frame. Ripley shoots it with a grappling hook, but the gun catches as the airlock door closes, tethering the alien to the shuttle.
It pulls itself into an engine exhaust but Ripley fires the engines, blasting the creature away.
After recording the final log entry, she places Jones the cat and herself into stasis for the trip home to Earth.
O'Bannon had written 29 pages of a script titled Memory , containing what would become the opening scenes of Alien : a crew of astronauts awakens to find that their voyage has been interrupted because they are receiving a signal from a mysterious planetoid.
They investigate and their ship breaks down on the surface. O'Bannon soon accepted an offer to work on Alejandro Jodorowsky 's adaptation of Dune , a project that took him to Paris for six months.
Giger , and Jean "Moebius" Giraud. I had never seen anything that was quite as horrible and at the same time as beautiful as his work. And so I ended up writing a script about a Giger monster.
Shusett suggested that O'Bannon use one of his other film ideas, about gremlins infiltrating a B bomber during World War II , and set it on the spaceship as the second half of the story.
Shusett and he liked the new title's simplicity and its double meaning as both a noun and an adjective. In writing the script, O'Bannon drew inspiration from many previous works of science fiction and horror.
He later stated,"I didn't steal Alien from anybody. I stole it from everybody! Simak in which a crew lands on an asteroid and discovers a chamber full of eggs.
With most of the plot in place, Shusett and O'Bannon presented their script to several studios,  pitching it as " Jaws in space.
That whole idea and scenario was theirs. Despite these rewrites, 20th Century Fox did not express confidence in financing a science-fiction film.
However, after the success of Star Wars in , the studio's interest in the genre rose substantially.
According to Carroll: "When Star Wars came out and was the extraordinary hit that it was, suddenly science fiction became the hot genre.
O'Bannon had originally assumed that he would direct Alien , but 20th Century Fox instead asked Hill to direct.
They wanted the Nostromo ' s crew to resemble working astronauts in a realistic environment, a concept summarised as "truckers in space".
To assist the actors in preparing for their roles, Scott wrote several pages of backstory for each character explaining their histories.
Roger Ebert notes that the actors in Alien were older than was typical in thriller films at the time, which helped make the characters more convincing:.
None of them were particularly young. Tom Skerritt, the captain, was 46, Hurt was 39 but looked older, Holm was 48, Harry Dean Stanton was 53, Yaphet Kotto was 42, and only Veronica Cartwright at 30 and Weaver at 29 were in the age range of the usual thriller cast.
David McIntee , author of Beautiful Monsters: The Unofficial and Unauthorised Guide to the Alien and Predator Films , asserts that part of the film's effectiveness in frightening viewers "comes from the fact that the audience can all identify with the characters Everyone aboard the Nostromo is a normal, everyday, working Joe just like the rest of us.
They just happen to live and work in the future. Alien was filmed over 14 weeks from July 5 to October 21, Principal photography took place at Shepperton Studios near London, while model and miniature filming was done at Bray Studios in Water Oakley , Berkshire.
A crew of over craftspeople and technicians constructed the three principal sets: the surface of the alien planetoid, and the interiors of the Nostromo and the derelict spacecraft.
Ridley Scott was not convinced that it looked large enough, so he had his two young sons and the son of Derek Vanlint the film's cinematographer stand in for the regular actors, wearing smaller space suits to make the set pieces seem larger.
The children nearly collapsed due to the heat of the suits; oxygen systems were eventually added to help the actors breathe.
By removing the glycerin she was able to continue working with the cats. Alien originally was to conclude with the destruction of the Nostromo while Ripley escapes in the shuttle Narcissus.
However, Ridley Scott conceived of a "fourth act" to the film in which the Alien appears on the shuttle and Ripley is forced to confront it.
He pitched the idea to 20th Century Fox and negotiated an increase in the budget to film the scene over several extra days.
Editing and postproduction work on Alien took roughly 20 weeks to complete. According to Rawlings: "I think the way we did get it right was by keeping it slow, funny enough, which is completely different from what they do today.
And I think the slowness of it made the moments that you wanted people to be sort of scared And I think that's how it worked.
One scene that was cut from the film occurred during Ripley's final escape from the Nostromo ; she encounters Dallas and Brett, who have been partially cocooned by the Alien.
O'Bannon had intended the scene to indicate that Brett was becoming an alien egg, while Dallas was held nearby to be implanted by the resulting facehugger.
Her trying to get the hell out of there, we're all rooting for her to get out of there, and for her to slow up and have a conversation with Dallas was not appropriate.
Ridley Scott had originally wanted the film to be scored by Isao Tomita , but 20th Century Fox wanted a more familiar composer and Goldsmith was recommended by then-president of Fox Alan Ladd Jr.
Scott and Rawlings had also become attached to several of the musical cues they had used for the temporary score while editing the film, and re-edited some of Goldsmith's cues and rescored several sequences to match these cues and even left the temporary score in place in some parts of the finished film.
O'Bannon introduced Scott to the artwork of H. Giger; both of them felt that his painting Necronom IV was the type of representation they wanted for the film's antagonist and began asking the studio to hire him as a designer.
The scene of Kane inspecting the egg was shot in postproduction. A fiberglass egg was used so that actor John Hurt could shine his light on it and see movement inside, which was provided by Ridley Scott fluttering his hands inside the egg while wearing rubber gloves.
For this reason, the image of a hen's egg was used on the poster, and has become emblematic of the franchise as a whole—as opposed to the Alien egg that appears in the finished film.
The "facehugger" and its proboscis , which was made of a sheep's intestine , were shot out of the egg using high-pressure air hoses.
The shot was reversed and slowed down in editing to prolong the effect and reveal more detail.
Giger designed for the film, going through several versions in different sizes before deciding on a small creature with human-like fingers and a long tail.
The design of the "chestburster" was inspired by Francis Bacon 's painting Three Studies for Figures at the Base of a Crucifixion.
For the filming of the chestburster scene, the cast members knew that the creature would be bursting out of Hurt, and had seen the chestburster puppet, but they had not been told that fake blood would also be bursting out in every direction from high-pressure pumps and squibs.
The chestburster was shoved up through the torso by a puppeteer who held it on a stick. When the creature burst through the chest, a stream of blood shot directly at Cartwright, shocking her enough that she fell over and went into hysterics.
She had no idea what the hell happened. All of a sudden this thing just came up. The real-life surprise of the actors gave the scene an intense sense of realism and made it one of the film's most memorable moments.
During preview screenings, the crew noticed that some viewers would move towards the back of the theater so as not to be too close to the screen during the sequence.
For the scene in which Ash is revealed to be an android, a puppet was created of the character's torso and upper body, which was operated from underneath.
Milk, caviar, pasta, fiber optics , and glass marbles were combined to form the android's innards. Giger made several conceptual paintings of the adult Alien before settling on the final version.
He sculpted the creature's body using plasticine , incorporating pieces such as vertebrae from snakes and cooling tubes from a Rolls-Royce.
For most of the film's scenes, the Alien was portrayed by Bolaji Badejo. Scott chose not to show the full Alien for most of the film, keeping most of its body in shadow to create a sense of terror and heighten suspense.
The audience could thus project their own fears into imagining what the rest of the creature might look like:  "Every movement is going to be very slow, very graceful, and the Alien will alter shape so you never really know exactly what he looks like.
Well, there's one way to deal with that. The most important thing in a film of this type is not what you see, but the effect of what you think you saw.
The Alien has been referred to as "one of the most iconic movie monsters in film history", and its biomechanical appearance and sexual overtones have been frequently noted.
The first time we get a good look at the alien, as it bursts from the chest of poor Kane John Hurt. It is unmistakably phallic in shape, and the critic Tim Dirks mentions its 'open, dripping vaginal mouth.
The sets of the Nostromo ' s three decks were each created almost entirely in one piece, with each deck occupying a separate stage. The actors had to navigate through the hallways that connected the stages, adding to the film's sense of claustrophobia and realism.
However, the name and logo of "Weyland-Yutani" appears on several set pieces and props such as computer monitors and beer cans. Art director Roger Christian used scrap metal and parts to create set pieces and props to save money, a technique he employed while working on Star Wars.
Giger designed and worked on all of the alien aspects of the film, which he designed to appear organic and biomechanical in contrast to the industrial look of the Nostromo and its human elements.
Ridley Scott described the set as the cockpit or driving deck of the mysterious ship, and the production team was able to convince the studio that the scene was important to impress the audience and make them aware that this was not a B movie.
The origin of the jockey creature was not explored in the film, but Scott later theorized that it might have been the ship's pilot, and that the ship might have been a weapons-carrier capable of dropping alien eggs onto a planet so that the aliens could use the local lifeforms as hosts.
The band was testing the lasers for use in their stage show on the sound stage next door. O'Bannon brought in artists Ron Cobb and Chris Foss with whom he had worked on Dark Star and Dune , respectively to work on designs for the human aspects of the film such as the spaceship and space suits.
The final name of the ship was derived from the title of Joseph Conrad 's novel Nostromo , while the escape shuttle, called Narcissus in the script, was named after Conrad's novella The Nigger of the 'Narcissus'.
The spaceships and planets for the film were shot using models and miniatures. These included models of the Nostromo , its attached mineral refinery, the escape shuttle Narcissus , the alien planetoid, and the exterior and interior of the derelict spacecraft.
The Nostromo was originally yellow, and the team filmed shots of the models for six weeks before Johnson left to work on The Empire Strikes Back.
Scott then ordered it changed to gray, and the team had to begin shooting again from scratch. He also took a hammer and chisel to sections of the refinery, knocking off many of the spires that Bower had spent weeks creating.
Scott also had disagreements with miniature-effects cinematographer Dennis Ayling over how to light the models.
Bower carved Kane's burial shroud out of wood; it was launched through the hatch using a small catapult and filmed at high speed.
The footage was slowed down in editing. The other shots were simply filmed against black backdrops, with stars added by double exposure.
Scott added smoke and wind effects to enhance the illusion. The Nostromo was pushed away from the refinery by a forklift covered in black velvet, causing the arm to extend out from the refinery.
This created the illusion that the arm was pushing the ship forward. A separate model was created for the exterior of the derelict alien spacecraft.
Matte paintings were used to fill in areas of the ship's interior, as well as exterior shots of the planetoid's surface.
The sequel Aliens named the planetoid as "LV",  and both names have been used for it in subsequent expanded-universe media such as comic books and video games.
An initial screening of Alien for 20th Century Fox representatives in St. Louis was marred by poor sound. A subsequent screening in a newer theater in Dallas went significantly better, eliciting genuine fright from the audience.
The first consisted of rapidly changing still images set to some of Jerry Goldsmith's electronic music from Logan's Run , with the tagline in both the trailer and on the teaser poster "A word of warning The second used test footage of a hen's egg set to part of Goldsmith's Alien score.
Alien opened in a limited release in American theaters on May 25, Eager to begin work on a sequel, Brandywine sued Fox over their profit distribution tactics, but Fox claimed that Alien was not a financial success and did not warrant a sequel.
The lawsuit was settled in when Fox agreed to fund an Alien II. Critical reaction to the film was initially mixed.
Some critics who were not usually favorable towards science fiction, such as Barry Norman of the BBC 's Film series, were positive about the film's merits.
Ebert called it "basically just an intergalactic haunted house thriller set inside a spaceship" and one of several science-fiction pictures that were "real disappointments" compared to Star Wars , Close Encounters of the Third Kind , and A Space Odyssey , though he did compliment the early scene of the Nostromo 's crew exploring the alien planet as showing "real imagination".
Alien has been released in many home video formats and packages over the years. The first of these was a minute Super-8 version for home projectionists.
LaserDisc and Videodisc versions followed, including deleted scenes and director commentary as bonus features.
A few months later, the set was re-released with the full version of Alien Resurrection taking the place of the making-of video. In addition, the set would also include alternative versions of all four films in the form of "special editions" and " director's cuts ".
Fox approached Ridley Scott to digitally restore and remaster Alien , and to restore several scenes which had been cut during the editing process for inclusion in an expanded version of the film.
Upon viewing the proposed expanded version of the film, I felt that the cut was simply too long and the pacing completely thrown off.
After all, I cut those scenes out for a reason back in However, in the interest of giving the fans a new experience with Alien , I figured there had to be an appropriate middle ground.
I chose to go in and recut that proposed long version into a more streamlined and polished alternate version of the film.
For marketing purposes, this version is being called "The Director's Cut. The "Director's Cut" restored roughly four minutes of deleted footage, while cutting about five minutes of other material, leaving it about a minute shorter than the theatrical cut.
Fox released the Director's Cut in theaters on October 31, Each film was also released separately as a DVD with both versions of the film included.
Scott noted that he was very pleased with the original theatrical cut of Alien , saying that "For all intents and purposes, I felt that the original cut of Alien was perfect.
I still feel that way", and that the original theatrical version "remains my version of choice". The Alien Quadrilogy set earned Alien a number of new awards and nominations.
In , to mark the film's 35th anniversary, a special re-release boxed set named Alien: 35th Anniversary Edition , containing the film on Blu-ray , a digital copy , a reprint of Alien: The Illustrated Story , and a series of collectible art cards containing artwork by H.
Giger related to the film, was released. Additionally, a single of the Main Theme was released in ,  and a disco single using audio excerpts from the film was released in on the UK label Bronze Records by a recording artist under the name Nostromo.
Several previously-released bonus features on the 4k Blu-ray include audio commentary from Director Ridley Scott, cast and crew, the final isolated theatrical score and composer's original isolated score by Jerry Goldsmith, and deleted and extended scenes.
Critics have analyzed Alien 's sexual overtones. Following Barbara Creed's analysis of the Alien creature as a representation of the "monstrous-feminine as archaic mother ",  Ximena Gallardo C.
Jason Smith compared the facehugger's attack on Kane to a male rape and the chestburster scene to a form of violent birth , noting that the Alien's phallic head and method of killing the crew members add to the sexual imagery.
On one level, it's about an intriguing alien threat. On one level it's about parasitism and disease. And on the level that was most important to the writers and director, it's about sex, and reproduction by non-consensual means.
And it's about this happening to a man. Film analyst Lina Badley has written that the Alien's design, with strong Freudian sexual undertones, multiple phallic symbols, and overall feminine figure, provides an androgynous image conforming to archetypal mappings and imageries in horror films that often redraw gender lines.
I said 'That's how I'm going to attack the audience; I'm going to attack them sexually. And I'm not going to go after the women in the audience, I'm going to attack the men.
I am going to put in every image I can think of to make the men in the audience cross their legs. Homosexual oral rape, birth.
The thing lays its eggs down your throat, the whole number. Alien 's roots in earlier works of fiction have been analyzed and acknowledged extensively by critics.
The Terror from Beyond Space ,   Night of the Blood Beast ,  and Queen of Blood ,  as well as its fellow s horror films Jaws and Halloween Several critics have suggested that the film was inspired by Italian filmmaker Mario Bava 's cult classic Planet of the Vampires , in both narrative details and visual design.
Writer David McIntee has also noted similarities to the Doctor Who serial " The Ark in Space " , in which an insectoid queen alien lays larvae inside humans which later eat their way out, a life cycle inspired by that of the ichneumon wasp.
Lovecraft 's At the Mountains of Madness , "not in storyline, but in dread-building mystery",  and calls the finished film "the best Lovecraftian movie ever made, without being a Lovecraft adaptation", due to its similarities in tone and atmosphere to Lovecraft's works.
What you need is a cinematic equivalent of Lovecraft's prose. Giger has said he liked O'Bannon's initial Alien storyline "because I found it was in the vein of Lovecraft, one of my greatest sources of inspiration.
The study discusses memories of Alien in the cinema and on home video from the point of view of everyday audiences, describing how many fans share the film with their children and the shocking impact of the "chestburster" scene, among other things.
Despite initial mixed reviews, Alien has received critical acclaim over the years, particularly for its realism and unique environment,  and is cited one of the best films of The website's critical consensus reads, "A modern classic, Alien blends science fiction, horror and bleak poetry into a seamless whole.
Despite having given Alien an unfavourable review in , Roger Ebert revised his opinion in Ebert included the film in his "Great Movies" column, ranking it among "the most influential of modern action pictures" and praising its pacing, atmosphere, and settings:.
One of the great strengths of Alien is its pacing. It takes its time. It waits. Note: the famous 'chest-burster' scene was kept secret from the rest of the cast as Scott wanted genuine reactions of horror.
The scene had to be done in one take, mostly due to the mess it created. If you re-watch the scene with this knowledge in mind, and look at everybody's real-time reactions, Scott undoubtedly created a masterpiece.
And the heart of that masterpiece is Ripley, who is one of the great feminist characters. She's the most outspoken of the crew.
She's not afraid of letting the men know what she thinks and, if she falters in her efforts to get her point across, her fallback position is to exclaim, "Blow it the f out into space!
Even when she's terrified, and everything around her is falling apart, she is the only person who endures.
Face to face with an horrific, drooling alien, Ripley might look frightened, but she perseveres."Sie verdient eine Pause": Sigourney Weaver kann sich nicht vorstellen, noch einmal als Ellen Ripley zurückzukehren. In vier "Alien"-Filmen zwischen 19spielte Sigourney Weaver bereits Lt. Ellen Ripley. Doch wie steht sie zu noch einem letzten. Mit der Rolle der Astronautin Ripley in Ridley Scotts „Alien“, die im Lauf dreier Fortsetzungen zur Mutter der Aliens wird, wurde Sigourney Weaver, geboren. In «Alien» schrieb Sigourney Weaver Filmgeschichte. Sie schuf damit die wichtigste Action-Heldin der Kinogeschichte. Selbst wollte sie aber. Sigourney Weaver hat angedeutet, dass sie die Rolle der Ellen Ripley wahrscheinlich nicht noch einmal spielen wird. Die jährige.